Studiomaster

Modern live sound production began with the development of reliable, high power PA amplification, capable of good sound reproduction that could be mass produced and marketed affordably. Back in 1976 a company called RSD (Recording Studio Design) based in England, was among the first to design and build such amplifiers. Not only did they challenge the engineering and performance specifications of the very few available, hugely expensive, imported US designs that could put out no more than a few hundred watts per channel, they were indeed affordable – very affordable. RSD’s goal was to bring the pure sound quality of the recording studio to the concert stage. They developed the RSD 800B, an 800 watts per channel amplifier that they could not build enough of. They were snapped up in huge numbers to power extravagant concept shows and arena tours for mega groups such as Pink Floyd. Then came the explosion of Punk music in the late 1970’s, bringing with it, the gigging revolution, PA hire grew into an industry and all the companies used the RSD 800B. Just as importantly these amplifiers were extremely affordable, meaning that even the smallest bands setting out on their road to stardom could gig with a great sounding PA system that would easily fit in the back of the tour van.

digital consoles

DigiLive 4C

DigiLive 8C

DigiLive 16

DigiLive 16RS

DigiLive 16P-600

DigiRack

ANALOGUE CONSOLES

ClubXS +

ClubXS

C2 / C2S

C6 / C6XS

Horizon

Vision

Fusion

C3/C3X

amplification

HX

QX

DQX

AX2

SX2

DX

speaker cabinets

Venture

Drive

Sense

GX

Direct

Tower

Platform

Livesys

PAS/PS

Phase

S3

TRX

E Series

PAX/PX

LINE ARRAY

V5

V8

V10

V12

Platfrom

V- Series

processors & regulators

DigiRack

SRQ

AC

VMS

microphones & accessories

W3

W2

W2G

KM